All posts by Diana Matthews

Famous Five monument historically inaccurate, documents reveal

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The Famous Five monument on Parliament Hill. Photo by Diana Matthews
The Famous Five monument on Parliament Hill. Photo by Diana Matthews.

Statues of five women celebrating the victory of the ‘Persons’ Case, a monumental moment in Canadian history, congregate proudly behind the East Block on Parliament Hill. But not everyone was celebrating when the statues were unveiled in October 2000.

According to letters accessed under the Access to Information Act, the plans for the statues were historically inaccurate at the time the Senate announced they were to be implemented on the Hill.

Famous Five Letters (Text)
Marguerite E. Ritchie, president of the Human Rights Institute of Canada at the time, wrote a series of letters condemning the portrayal of the individuals who were part of the Famous Five and the events that led up to what became known as the ‘Persons’ Case.

The Famous Five, under the leadership of Emily Murphy, were a group of women from Alberta who campaigned to have women earn the right to be appointed to the Senate.

Their request was denied based on the claim made in the British North America Act of 1867 that women were not eligible for such appointments. In 1928, the Supreme Court of Canada upheld this claim.

 

The statue of Nellie McClung proudly displays the newspaper. Photo by Diana Matthews
The statue of Nellie McClung proudly displaying the newspaper. Photo by Diana Matthews.

However, the women eventually won their case after appealing to the Judicial Committee of the Privy Council. On October 18, 1929, the Committee ruled that women would be eligible for Senate appointment.

To commemorate this decision and significant historical event, statues of the five women were placed in Calgary and Ottawa in 1999 and 2000, respectively, with a plaque describing the historical context and individuals involved. Edmonton sculptor Barbara Paterson created the monuments.

Ritchie expressed her profound dissatisfaction with the placement of the statues and the version of history they represent, even going to the extent of describing them as “pure revisionism.” She was particularly concerned with the placement of the statue of Emily Murphy, who stands aside as the statue of Nelly McClung triumphantly holds the newspaper.

“I can only describe this representation as false history,” Ritchie writes in her letter. “It was

The statue of Emily Murphy stands by an empty chair, inviting visitors to sit down. Photo by Diana Matthews.
The statue of Emily Murphy stands by an empty chair, inviting visitors to sit down. Photo by Diana Matthews.

Emily Murphy who planned and organized the case, and who wrote the letters to the government.”

Tarah Brookfield, Ontario representative for the Canadian Committee on Women’s History, says the statues perpetuate misunderstandings by oversimplifying facts and details.

“If you don’t go up to the plaque or you don’t take a finer look, you might not get a sense of who these women are at all,” Brookfield said about the marginalized portrayal of Murphy.

“It also positions women in a very traditional setting as opposed to the fact that many of them are quite maverick in their professions and in their political action, which the statues do not reflect at all.”

Teacups sit on the table between two of the statues, while an empty chair invites visitors to the installation to sit down and take part in the achievement.

Teacups on the table. Photo by Diana Matthews
Teacups on the table. Photo by Diana Matthews.

Laurie Mackenzie, an instructor at Carleton University, says that the presence of the five women on the Hill is separate from the historical moment they represent.

“I watch people at Parliament Hill when they go to that statue and really, I don’t know how many people read it,” Mackenzie said in reference to the plaque that describes the ‘Persons’ Case. “I think that in that moment, when people are there, they see that there’s a statue of five women on Parliament Hill.”

Brookfield said that it is very difficult to capture an entire narrative involving multiple events and several individuals in one monument.

“The presence of women on the Hill, I think, is important. But if we’re going to do something, let’s do something right,” Brookfield said.

The importance of doing right by the Famous Five was emphasized in Ritchie’s letters. According to the documents, changes to the plaque accompanying the statue were made based on Ritchie’s suggestions.

Despite Ritchie’s efforts, inaccuracies remain in the positioning of the statues and the individuals they represent.

Requests for documents to each level of government.




Correspondence with each level of government regarding my requests.

I had a phone conversation with Judy Keith on February 20, 2014, regarding the wording of my request. We altered my request and the documents I received were a result of these changes. I am still waiting for my documents from the Canadian Museum of Civilization Corporation.

Correspondence for New Requests (Text)
Requests for previously released federal records.

Previously Requested ATIPs (Text)
From the pages in the document I cite in my story:

What is the information?

The documents used for the purposes of my story are letters written by Marguerite E. Ritchie in 2000. She was the president of the Human Rights Institute of Canada at the time. The letters are written to the Speaker of the Senate, the clerk of the Senate and the Minister of Canadian Heritage. On page three, Ritchie illustrates her dissatisfaction with the proposed plan for the statues commemorating the Famous Five on Parliament Hill. Her particular concern is with the monument’s portrayal of Emily Murphy, which she explains on pages four and five. The changes made to the plaque accompanying the statues on Parliament Hill are described on pages nine through 11.

From which department and level of government did you obtain these pages?

The documents were received from the Department of Canadian Heritage at the federal level of government.

Why was this information helpful?

The documents contain information about the ‘Persons’ Case and demonstrate Ritchie’s concerns regarding the historical inaccuracy of the statues of the Famous Five. Her commentary is quite detailed and provided historical background and ways the Senate could fix the errors. Many of the changes Ritchie suggested were incorporated into the plaque that accompanies the statues.

Daily Bread Food Bank reports a decline in monthly client visits

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Toronto’s Daily Bread Food Bank reported a significant decrease in monthly client visits between January and December last year, suggesting that Canada’s economy is improving after the recession in 2008.

According to an analysis of the food bank’s database, the visits fluctuated throughout the year but showed a decrease between 63,000 clients in January and slightly more than 42,000 clients in December. The food bank uses this dataset to determine how much food is needed to sustain their network of more than 200 agencies in Toronto and the Greater Toronto Area.

The monthly totals are determined by the number of people in the household multiplied by the number of times per month they come to the food bank.

“They’re still not at pre-recession levels but they’re closer to that. I think that reflects what you’ll find in a lot of social assistance caseloads,” said Michael Oliphant, director of public affairs for the food bank. “If there’s a recession, they spike. They tend to kind of follow the ebb and flow of the economy.”

Despite the decrease in the number of people using Daily Bread from last January to December, experts say there are still many reasons to be concerned.

Graham Riches is director of the School of Social Work and Family Studies at the University of British Columbia. He said that food purchasing is easily changed if household income is low.

“You can buy more expensive food, less expensive food, you can go hungry,” Riches said.

Food is often the first household expense that is manipulated when money is in short supply. (Photo courtesy of Daily Bread Food Bank)
Food is often the first household expense that is manipulated when money is in short supply. (Photo courtesy of Daily Bread Food Bank)

“There are different ways in which people will ration their food budgets because they are flexible whereas other costs are not.”

In a report released last year, the food bank cited the high cost of living in Canada’s largest city as a significant contributor to the number of clients struggling with food insecurity.

“The cost of living in Toronto used to be much higher than outside of it. So you could get an apartment in Scarborough for much cheaper than it would be right downtown,” Oliphant said about the changing housing prices in the city. “But those housing costs now are really high throughout the whole region.”

Valerie Tarasuk, a professor at the University of Toronto said that food bank numbers can be challenging to interpret in the broader context.

“We’ve got measures of hunger and food insecurity in Canada and they bear little resemblance to the food bank numbers,” Tarasuk said. “So most people who are struggling to put food on the table in a community may never show up at a food bank and there are a lot of reasons for that.”

Some of these reasons are simply a feeling of discomfort with going to a food bank or lacking access to a food bank in one’s neighborhood in the first place.

Oliphant agreed with the realities of these barriers and that the numbers are not always clear indicators of those who are hungry in Canada.

However, he said the numbers can be useful to understand food insecurity and its relationship to the economy in a broader sense.

“We started to see big increases in food bank use in 2007, about a year before the recession hit,” Oliphant said. “There’s a bit of a canary in a coal mine kind of thing with the numbers and where the trends are going, more so than the absolute numbers.”

In the same report, the food bank said that the number of baby boomers who are aging but not yet eligible for senior benefits are a major demographic using the food bank’s services.

Daily Bread Who’s Hungry Report 2013 (Text)
Tarasuk said it is best to approach with caution when determining who is using the food bank from the data.

“I think it’s dangerous to infer anything very much about public policy issue from food bank numbers because they are just a snapshot of a much bigger problem and it’s a pretty blurry snapshot,” Tarasuk said.

Oliphant said Daily Bread Food Bank is expecting a slight decline in client visits this year as the economy continues to stabilize and recover.

On pointe: Vanessa Plettell Dance celebrates 25 years

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Vanessa Plettell-Chevrier sits comfortably on a chair in the middle of an empty dance studio. She just sent her last group of young dancers for their ballet examinations at the end of what has been a busy weekend for the director.

The dark wooden floors, large panel mirrors and ballet barres running along the walls would leave some feeling cold or even uncomfortable. But for Plettell-Chevrier, it could be her living room.

“Some people are so successful in their businesses and they make piles of money,” Plettell-Chevrier says as she looks around at her surroundings. She has been successful too. “I do it because I love it. I do it because I have to. This is the world I grew up in.”

From the age of four, the Lethbridge native spent endless hours training to become the only thing she ever wanted to be, a ballet dancer.

After finishing her training in Alberta, Plettell-Chevrier realized her dream of becoming a professional dancer with a company in Montreal. However, Ottawa eventually became the city where she would add studio director to her name.

In 1989, Plettell-Chevrier rented a space in the ByWard Market from Theatre Ballet on York Street. Theatre Ballet was taken over and moved to Bank Street, along with Plettell-Chevrier.

“We had people that came and went but it wasn’t ever huge,” Plettell-Chevrier says about the studio’s humble beginnings. “Especially when we only had one studio.”

For years, Plettell-Chevrier says, she taught mostly adults who took classes out of interest, not with the intent of pursuing a career on stage. Since moving to the new location near Old Ottawa South 10 years ago, Plettell-Chevrier says, she now mostly teaches children.

Vanessa Plettell Dance is an educational school that boasts three large studios for aspiring

“I think when a teacher stops learning it’s a problem," Plettell-Chevrier says.
“I think when a teacher stops learning it’s a problem,” Plettell-Chevrier says.

dancers to train in. Every year, the studio puts on a dance production to give students the professional experience of being on stage.

As opposed to dance studios that focus on competitions as a means of gaining notoriety, Plettell-Chevrier says she seeks to set her students up to pursue dance as a career. She acknowledges that this form of dance training can be intense for some students. However, there are dancers who grew up through the studio that found success as professionals both in Canada and internationally.

Kim Morrison danced at the studio for 10 years after training competitively her entire childhood. She is involved in the studio now as a part-time instructor. Morrison said she appreciated Plettell-Chevrier’s focus on performance, rather than competition.

“She really helped to develop me into a much better dancer, both physically and mentally,” Morrison said, going on to explain how she often felt held back at competitive studios due to the inherently political environment.

The live piano music plays vibrantly from the studio next door as Plettell-Chevrier discusses the emphasis she places on students learning ballet at her school.

“I still believe that ballet is a fundamental of dance,” Plettell-Chevrier says as the music stops momentarily.

“If you build a house and you don’t put up a foundation, it’s not going to work. I cannot explain it any other way. There are no shortcuts in dance.”

In celebration of the studio’s 25th anniversary, students, teachers, parents and Plettell-Chevrier will pack up their ballet slippers and head off to Disney World this summer to perform in the parade and on a professional stage.

In and amidst the ballet examinations, year-end performance showcase and now a trip to Florida, Plettell-Chevrier reflects upon the last quarter-century, “I’ve never been bored,” she says with a smile. “Ever.”

This documentation is link to the website for Vanessa Plettell Dance. I found the website in the early stages of my research by typing “25th anniversary Ottawa” into a Google search. After searching through one or two pages, I came across the link to the studio’s website. The website was extremely helpful for providing me with background information about the studio, Plettell-Chevrier’s career, success stories of dancers who grew up through the studio and contact information. I did a large portion of my preliminary research on the studio’s website.

This documentation is an obituary for Eva von Gencsy that was published by The Globe and Mail in April 2013. Plettell-Chevrier cites von Gencsy as a personal inspiration in her biography on her website. I decided to learn more about von Gencsy after speaking with Plettell-Chevrier who mentioned that von Gencsy passed away last year. I found this obituary on the newspaper’s website. It provided me with more context about the history of jazz-ballet in Canada. Additionally, it helped me understand how Plettell-Chevrier strives to utilize what she learned from von Gencsy during the time they danced together to inform how she runs her studio today.

Pembina announces new project, reports strong financial standing

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Consistency is key in the pipeline business and for one Calgary-based company, bettering consistency means securing funding for a new project.

A 10 percent volume increase in conventional oil transportation was amongst the positive numbers outlined by Pembina Pipeline Corporation, or Pembina, in the company’s Management Discussion and Analysis. The company released the document in November of last year.

 

 

Pembina Pipeline MD&A (Text)
Conventional oil refers to petroleum, or crude oil, which is pumped to the ground surface as a liquid, then processed to remove contaminants and transformed into products we consume, such as gasoline.

According to the document, Pembina transports half of the conventional crude oil in Alberta. The company has been in operation for 60 years.

The volume of crude oil transported increased from 443,900 barrels per day in the third quarter of 2012 to 489,100 barrels per day in the same quarter of 2013.

The increase means more good news for Pembina, who reported an incredibly strong year in 2012 after acquiring Provident Energy Ltd.

2013 followed suit with Pembina announcing that the company had gained commercial support to construct a $2 billion pipeline expansion that would add 540 kilometres of pipeline between British Columbia and Alberta.

The project will add new pipeline to existing pipeline structures owned by the company. The new expansion is expected to take two to three years to build.

The segment of the company’s existing pipeline system that will experience the most expansion under the project is located at Fox Creek, a town approximately 250 kilometres northwest of Edmonton.

In a recent news release, Pembina says that post-construction, the company will have three pipelines between Fox Creek and the provincial capital city.

Haskayne School of Business professor Bob Schulz says that for pipelines, the numbers should be consistent quarter to quarter, year to year. He says that the fact Pembina’s numbers are up from 2012 is a good sign.

The announcement of the new pipeline project is a logical move for Pembina, given the company’s strong financial standing, Schulz says.

“So you get the cash, the regulatory approval, then you get the pipe in the ground and three years later you start counting the money,” he says, with reference to the increase in revenue that will be generated by the new pipeline.

Before they can start counting the money, Pembina must sign a 10-year contact and obtain environmental and regulatory approval. After the company receives the approval, the project can proceed to the construction stage.

“An automobile dealer has to sell cars every year,” Schulz says with reference to the 10-year contract. “At Pembina, they just need to move the products around the pipeline.”

According to Schulz, the future is bright for Pembina. If the price of oil remains steady, Schulz says he anticipates the company will experience a substantial jump in revenue due to the additional 320,000 barrels per day transported by the new pipeline.

The transported volume of oil projected to be moving through the pipeline in the next few years, in addition to the product already being moved by existing pipelines, will mean good business for Pembina in the years ahead, says Schulz.

The projected dates of completion for the pipeline expansion are 2015 or 2016.

Pembina will release the company’s fourth quarter results and annual report on February 26.